Modern Marvels of the East in Chiang Rai
Yin and Yang. Black and white. Uplifting
and depressing. Eye-popping and macabre. If this is beginning to sound like a
lesson in antonyms, then I assure you its not. However, I do mean to talk about
opposites. First the ‘Yang'. Up in northern Thailand,
in the town of Chiang Rai, a Buddhist temple lay in
ruins. A few decades ago, visual artist Chalermchai Kositpipat decided to re-build it privately at his own cost. The result is the wondrous
and whacky White Temple or Wat Rong Khun.
In the overpowering heat and humidity of August,
it appears like a mirage, the sun reflecting off its white plaster exterior studded
with pieces of glass. We jostled with groups of largely Asian
tourists and a number of European backpackers to get the best selfies from
a distance.
I decided to gingerly test the somewhat-alien looking sculpture for its glassy muscular strength.
At the entrance we got properly spooked. Placed in a small arc there were skulls
and hundred of raised arms (Yikes!). According to local beliefs, this represents the circle of life, death and re-birth.
The “protectors” at the top of the stairs
drive away evil spirits and guard the Gate to Heaven.
Inside is a tranquil Buddha. The temple complex is still work under
progress. Some buildings are yet to take shape.
The most magnificent building quite possibly is the gold painted structure that houses….. the toilets (!) Another statement on materialism. Or maybe the designer is a person after my heart, someone who loves a fancy loo ;-)
Now coming to the ‘Yin’. About half an hour
further north stands the Black House or Baan Dam Museum created by one of Thailand’s most renown artists Thawan Duchanee who, incidentally, was also the mentor or guru for Kositpipat, the creator of the White Temple.
On the face of it, this is just a parcel of
land with over a dozen structures. Yet the first thing that hits you is a
heavy, sinking feeling like something has died. This is not far from the truth
as each structure is adorned by animal parts such as horns, hides and bones.
This is certainly not a place for the squeamish.
The grounds had a set of dome-like cement structures with quirky images.
Eyes and tear drops.
I actually liked this last one.
We peeked into most of the major structures and walked inside a few but after half an hour the desire to leave was overwhelming. There was a ‘live
workshop’ at the back where local carpenters seemed to be working on some
furniture that was apparently being made from bones and animal parts. There were people discussing the price.
Something tells me these pieces will not be in the Furniture Range of John
Lewis anytime soon.
Would I go there again? Hmm… maybe…. but I
would probably do the Black House first and then the White Temple. That would help me depart from Chiang
Rai with some sparkly energy rather than
images of a dining chair adorned with animal horns!
***
Comments
Post a Comment